Katy Smith & Amy Butler - Violin & Piano 9 th January 2025 The New Year saw the start of a new partnership of violinist Katy Smith with pianist Amy Butler, but no one present would have guessed that this was the duo’s first public concert given together. Marking the 150 th anniversary of Maurice Ravel’s birth, the two consummate professionals gave a masterclass performance of a Ravel themed programme that was indeed synergistic! Amy’s exemplary and responsive piano playing provided the perfect foil for Katy’s ardent bowing and deft finger work. Amy made full use of the Grimsby Town Hall Steinway piano always maintaining a perfect balance with the violin. Katy fully employed her violin, made about 1720 by the English maker Nathaniel Cross, drawing and strongly projecting full rich tones from it. The concert opened with a delightful Romance by Gabriel Fauré, one of Ravel’s teachers; the piece immediately showcased the individual and combined skills to the two artists. At one with her instrument, Katy educed wonderful tones from the violin, emphasised by controlled vibrato to give the music a song- like quality. Amy was gentle and controlled, maintaining a refined balance between the instruments; she was totally attentive to Katy’s part never rushed and never late, allowing Katy to own her part; thus the standard was set for the concert as the pair lived the music as one! Both players clearly enjoyed Ravel’s blue’s influenced Sonata for Violin and Piano (No.2). In a demanding and at times devilish violin part, Katy oozed skill and musicality, supported by Amy’s no less demanding piano part that saw at times a musical battle between them of which they were jointly victorious. The first half closed with a most moving rendition of Ralph Vaughan Williams The Lark Ascending . After being declined by Elgar, Williams’ had gone to Ravel for lessons reflected in the superbly impressionistic nature of the piece; Amy evoked a pastoral scene above which Katy soared; a piece heard many times on the radio – this performance was as good as it gets! Giving added authenticity to Edward Elgar’s Violin Sonata, Katy used “Elgar’s bow” which she described as “tip-heavy”. In the dramatic opening Allegro, both artists played with verve and gusto. In the Romance, Katy evoked a sighing quality to the opening notes; whilst both players possessed their own parts, the parts combined fluidly. Amy and Katy gave a passionate performance of the fast and furious final movement of Elgar’s sonata. Ravel’s Gypsy influenced Tzigane opened with violin soliloquy that evoked a range of scenes and emotions, one of which seemed to reference “The Lark Ascending.” With Amy setting the stage for a dance, the playful second movement allowed Katy to showcase her technical prowess on the violin as she progressed through a range of techniques including: right and left hand pizicatto’s, spicatto, harmonics and double bowing amongst others the duo combining in a wonderful, frenzied finale. To the delight of all, Amy and Katy performed a playful and pleasantly spirited encore Elgar’s La Capricieuse . IM
Katy Smith & Amy Butler - Violin & Piano 9 th January 2025 The New Year saw the start of a new partnership of violinist Katy Smith with pianist Amy Butler, but no one present would have guessed that this was the duo’s first public concert given together. Marking the 150 th anniversary of Maurice Ravel’s birth, the two consummate professionals gave a masterclass performance of a Ravel themed programme that was indeed synergistic! Amy’s exemplary and responsive piano playing provided the perfect foil for Katy’s ardent bowing and deft finger work. Amy made full use of the Grimsby Town Hall Steinway piano always maintaining a perfect balance with the violin. Katy fully employed her violin, made about 1720 by the English maker Nathaniel Cross, drawing and strongly projecting full rich tones from it. The concert opened with a delightful Romance by Gabriel Fauré, one of Ravel’s teachers; the piece immediately showcased the individual and combined skills to the two artists. At one with her instrument, Katy educed wonderful tones from the violin, emphasised by controlled vibrato to give the music a song-like quality. Amy was gentle and controlled, maintaining a refined balance between the instruments; she was totally attentive to Katy’s part never rushed and never late, allowing Katy to own her part; thus the standard was set for the concert as the pair lived the music as one! Both players clearly enjoyed Ravel’s blue’s influenced Sonata for Violin and Piano (No.2). In a demanding and at times devilish violin part, Katy oozed skill and musicality, supported by Amy’s no less demanding piano part that saw at times a musical battle between them of which they were jointly victorious. The first half closed with a most moving rendition of Ralph Vaughan Williams The Lark Ascending . After being declined by Elgar, Williams’ had gone to Ravel for lessons reflected in the superbly impressionistic nature of the piece; Amy evoked a pastoral scene above which Katy soared; a piece heard many times on the radio – this performance was as good as it gets! Giving added authenticity to Edward Elgar’s Violin Sonata, Katy used “Elgar’s bow” which she described as “tip-heavy”. In the dramatic opening Allegro, both artists played with verve and gusto. In the Romance, Katy evoked a sighing quality to the opening notes; whilst both players possessed their own parts, the parts combined fluidly. Amy and Katy gave a passionate performance of the fast and furious final movement of Elgar’s sonata. Ravel’s Gypsy influenced Tzigane opened with violin soliloquy that evoked a range of scenes and emotions, one of which seemed to reference “The Lark Ascending.” With Amy setting the stage for a dance, the playful second movement allowed Katy to showcase her technical prowess on the violin as she progressed through a range of techniques including: right and left hand pizicatto’s, spicatto, harmonics and double bowing amongst others the duo combining in a wonderful, frenzied finale. To the delight of all, Amy and Katy performed a playful and pleasantly spirited encore – Elgar’s La Capricieuse . IM