James Gillett & Friends Thursday 8 th January 2026 James Gillett, Victoria Simmonds, Henry Waddington, Kelsey Thomas Reflections on our first concert of 2026 when we thoroughly enjoyed A Lyrical Journey Through Time - a concert put together especially for the Society by Grimsby born James Gillett; now a pianist, conductor and vocal coach based in Manchester. Including himself James brought four remarkable artists together to perform a selection of operatic favourites, from Purcell to Wagner and favourite moments from Gilbert and Sullivan and the Golden Age of Musicals Including Gershwin, Cole Porter, and more. The first half of the concert featured popular classical pieces up to and including the 19 th Century. The second half featured songs drawn from shows and musicals of the late 19 th Century and of the 20 th Century. The wonderful mezzo-soprano Victoria Simmonds opened the concert with strong clear vocals, well enunciated, delightful controlled melodic scales, with superb dynamic control. Henry Waddington’s bass-baritone counter-balanced Victoria’s tone; Henry projected powerfully, and was emotionally expressive with great sustain at the end of phrases. The final member of the troupe was lyrical- soprano Kelsey Thomas who sang with a wonderful natural vibrato; she sang convincingly in French and then in Russian – Russian has never sounded so good! All the singers revealed a good sense of humour in their introductions, as well as revealing marvellous acting ability through their performances. Individually all of the singers were superb, but the effect of their combined voices was positively synergistic. It was hard to believe that Victoria and Kelsey had never sang together on stage before this day they harmonised so beautifully. Victoria and Henry sang a duet showing great understanding of the song in their interactions with each other. The three provided an emotional rendition of a trio from Cosi Fan Tutte; this was later humorously contrasted with Gilbert & Sullivan’s “Three little Maids” possibly an original interpretation of this song. With these three singers one felt that the best of opera had arrived in Grimsby, all perfectly accompanied by James on piano as he played with perfect balance and understanding. This was wonderful concert that will long be warmly remembered by all those you attended. IM
Rehearsal
James Gillett & Friends Thursday 8 th January 2026 James Gillett, Victoria Simmonds, Henry Waddington, Kelsey Thomas Reflections on our first concert of 2026 when we thoroughly enjoyed A Lyrical Journey Through Time - a concert put together especially for the Society by Grimsby born James Gillett; now a pianist, conductor and vocal coach based in Manchester. Including himself James brought four remarkable artists together to perform a selection of operatic favourites, from Purcell to Wagner and favourite moments from Gilbert and Sullivan and the Golden Age of Musicals Including Gershwin, Cole Porter, and more. The first half of the concert featured popular classical pieces up to and including the 19 th Century. The second half featured songs drawn from shows and musicals of the late 19 th Century and of the 20 th Century. The wonderful mezzo-soprano Victoria Simmonds opened the concert with strong clear vocals, well enunciated, delightful controlled melodic scales, with superb dynamic control. Henry Waddington’s bass-baritone counter-balanced Victoria’s tone; Henry projected powerfully, and was emotionally expressive with great sustain at the end of phrases. The final member of the troupe was lyrical-soprano Kelsey Thomas who sang with a wonderful natural vibrato; she sang convincingly in French and then in Russian Russian has never sounded so good! All the singers revealed a good sense of humour in their introductions, as well as revealing marvellous acting ability through their performances. Individually all of the singers were superb, but the effect of their combined voices was positively synergistic. It was hard to believe that Victoria and Kelsey had never sang together on stage before this day they harmonised so beautifully. Victoria and Henry sang a duet showing great understanding of the song in their interactions with each other. The three provided an emotional rendition of a trio from Cosi Fan Tutte; this was later humorously contrasted with Gilbert & Sullivan’s “Three little Maids” – possibly an original interpretation of this song. With these three singers one felt that the best of opera had arrived in Grimsby, all perfectly accompanied by James on piano as he played with perfect balance and understanding. This was wonderful concert that will long be warmly remembered by all those you attended. IM